Viewing entries tagged
short film

2013 Culture Badger review of the year 2013 - @ThomHoffman

January 10, 2014

Time to review all the tweets, status updates, photos, saved links, and occasionally things in my own stupid mind to unearth those things that I saw this year that, on reflection, still made an impact.

Let’s start with some music, you can play along at home.

I love Soundcloud mixes, here are a few you can select from

Big Deal ID Magazine Slumber Session:

Fleetwood Mac Disco Remix [sounds weird but is amazing]:

Julianna Barwick: Soaring Folk

Laura Marling - When Brave Bird Saved - Beautiful film to accompany her latest album Once I Was an Eagle

So let's begin

Firstly this is the greatest thing I saw all year in the West Hampstead Library. I didn't know we could do this!

I hope this INTERNET INNOVATOR/SONGWRITER/POET got the sponsorship they were looking for. It's quite beautiful in a lot of ways. If you are a millionaire you could probably do a lot worse than invest some there.

There’s been some pretty tough times this year, and some people aren’t here that should be. This beautiful, heartwrenching blog written by Ben, a father and widower, who lost his wife in a freak car accident at the start of the year really resonated with me. It’s tough out there, let’s look after each other:

http://lifeasawidower.com/about/

Despite being a vegetarian, somehow I can still find time for the joy in stuffed animals.

'Artist Does Jail Time over Disturbing Taxidermy' -

But I think I prefer Digital animal mashups

STREET ART

5 Pointz, this back street in Queens NY used to be home to some incredible street art, but now is just a beige lot. It’s a real shame, but I’m glad I got to see it. I think you appreciate street art more when you are away from home. http://www.flickr.com/photos/49103930@N03/10846328644/

Art/Taste/Graffiti, some of it is breathtaking. Herakut are a duo of artists who blew my mind this year. and their photos decorate my desktop and raise me up.

Some walls aren’t walls.

Herakut - http://herakut.tumblr.com/

I also want to live in a block with the externals designed by this guy. http://www.agostinoiacurci.com/beardwatching/

I massively enjoyed this picture of a monkey drinking milk

Best Bands/shows of the year

Big Deal
Paws
Finch playing their classic album What It Is to Burn in its entirety
The Postal Service
Cribs
Secret Garden Party
Basia Bulat
Adam Buxton’s Best of Bug shows - ACE

OLD SONGS I FOUND THIS YEAR

Midas Touch - Midnight Star - ALL I WANT TO DO IS PUT THIS ON AND DANCE AROUND

I Know It’s Over [Smiths Cover] - Jeff Buckley ALL I WANT TO DO IS CRY

One hell of a session TuneYards Bizness

FILMS OF THE YEAR

The Act of Killing - The absolute best film of the year, possibly the greatest film I’ve seen maybe. Just watch it http://www.youtube.com/watch?v=SD5oMxbMcHM

Nebraska, Safety Not Guaranteed, Untouchable, Best Worst Movie, 5 Broken Cameras

I was particularly intrigued by this short[ish] film by Werner Herzog. It’s a kind of public information film/documentary about texting and driving. Really moving. An important reminder to just not do it. That shit can wait.

I wrote a more expansive film review whilst I had a life-threatening cold in November, you can read it here

I really enjoyed this 19 second film of Bill Gates jumping over a chair

PODCASTS OF THE YEAR

I avoided for a while, and then devoured, Analyze Phish; a somewhat weird podcast where someone who loves the band Phish tries to persuade some who doesn’t like the band Phish to like the band Phish.

This is a classic episode #7 yeah that’s right #7 and they’re still going http://www.earwolf.com/episode/a-crazy-moment-in-phishtory/

That is a spinoff of Comedy Bang Bang, still consistently the podcast I consume most voraciously

A good starter episode from the year is The Vicar of Yanks, featuring 'Weird' Al Yankovic and Paul F Tompkins as Andrew Lloyd Webber, what more could you want? - http://www.earwolf.com/episode/the-vicar-of-yanks/

You can buy a load of live shows that were really funny for a mere $25 well worth it http://store.earwolf.com/products/comedy-bang-bang-live-2013-tour

I ENJOYED THIS GREAT ANSWER ON WEAKEST LINK

Glad to hear Russell Brand’s [and more saliently Matt Morgan’s] radio comeback this year, you can buy it here and it’s all for charity, so you can feel warm and whatnot.

I was psyched to hear some progressive production values stuff on BBC this year including Jarvis Cocker’s Wireless Nights, and Josie Long’s Short Cuts. These shows have a lot of fun with the medium and are an excellent addition to the more traditional Radio4 stuff.

More trad/modern BBC crossover came up with the first transvestite potter to give the BBC’s prestigious Reith Lectures. Grayson Perry did Lord Reith proud, Informing, Educating, Entertaining and I’d add Inspiring. Let’s do a painting or something.

Speaking of art here are two superb films I stumbled upon this year.

A Brief History of John Baldessari -

A film about an artist who paints on kitchen roll [it’s better than it sounds] http://www.youtube.com/watch?v=dOXERZBUA1A

It is often said that ‘the enemy of the artist is the pram in the hallway’ I guess this post says different. Kids are tiny little people you can make do things. What could lead to more creativity? Scientists experiment on their kids all the time! Art learn something from science why don’t ya… This mother has nailed it.

http://www.boredpanda.org/wengenn-in-wonderland-sioin-queenie-liao/

This guy gets the Thom Hoffman Man of the Year award. That is some grade A spectating. http://s3-ec.buzzfed.com/static/enhanced/web04/2012/4/12/13/enhanced-buzz-8465-1334250956-87.jpg

When searching for Christmas presents, this was the worst thing I’ve seen. I mean why? http://etsy.me/KKBqAn

Of all the articles that made me want to move to Uruguay in 2013, this was undoubtedly the best, The president sounds great. http://t.co/heDiKx6G9L

This Dog Vine of course, just of course https://vine.co/v/bJqjVjdqMQ7

Kid President bloody nails it again. 20 Things we should say more often.

BOOKS

I joined two book clubs this year, to varying degrees of success. I really recommend a bookclub it’s great. My favourite books this year were

If on a Winter’s Night a Traveller - Italo Calvino: One of the best books I’ve ever read, just blew me away, took me away, kind of changed what I thought books could do. Have recommended to lots of people and this has very much split the room...

Notes from the underground - Fyodor Dostoevsky: I read this on a slightly doomed trip to Leeds and I was left harrowed by the experience. Great though, the ultimate manifestation of a scary manvoice that lives in your head, right guys? Guys? Right?

The Beating of his Wings - Paul Hoffman [NO NEPOTISM ALERT KLAXON] Final chapter in the Left Hand of God trilogy. Art. End of an erar.

Unreasonable Behaviour - Don McCullin: spectacular book that chronicles the brutal existence of the war photographer, photojournalist, family man. Fantastic meditation on humanity/art/intervention. There’s a great Storyville documentary on Don, it’s worth digging out if you can find it.

How Proust Can Change Your Life - Alain De Botton: What we can learn from Proust’s unique view on the world. Every few pages is a beautiful thought, or twist of phrase. I bought it from a second hand bookshop in Brixton that has a dog, there’s a nice film of it here

There’s a nice short story called The Critics which can be read here - http://www.theatlantic.com/magazine/archive/2013/05/the-critics/309276/?single_page=true

I enjoyed this soap opera filmed in branches of Ikea without permission. Life should be about 80% more this type of thing. 7 episodes, enjoy

This video had a real punch to it. Let’s all use less crap we don’t need in 2014 http://www.upworthy.com/people-should-know-about-this-awful-thing-we-do-and-most-of-us-are-simply-unaware

PHOTOGRAPHY

This guys photography is good https://plus.google.com/photos/+AddeAdesokan/albums/5632530795735286625/5648918287947725346?cfem=1

ALWAYS BE SQUINCHING. This went down pretty well, some good tips for posing for photos. It sounds a bit wanky, but it’s actually good.

http://www.fastcocreate.com/3022472/always-be-squinching-and-other-tricks-from-a-portrait-photographer-for-taking-flattering-pic

Instagrams

I loved the overnight ferry between England and Holland with my bicycle

I loved the view from the highest place I’ve ever been

[youtube=http://www.youtube.com/watch?v=Sr2c4xFwPfc&w=560&h=315]

I loved the Pet Pride march in San Francisco

AMERICA

Tweets of the year

Comment

Into The Wild

May 31, 2013

Two weeks before I was due to fly to the Himalayas, I found myself sat in the Royal Free hospital in North London with 1st and 2nd degree burns on 7 of my fingers, stinking of smoke and burnt plastic, with my hands in a bag of frozen mixed vegetables. My mind began flitting between thoughts of pain, and guilt, and constantly back to anxiety as to how I’d somehow managed to get into this insane situation, and whether my mountain adventure was now over, a fortnight before it was due to start. My laptop charger overheated and set fire to various parts of my bedroom, fortunately I was upstairs at the time and eventually the aforementioned gross burning smell attracted my attention. I managed to stop the fire before burning down the whole house. Unfortunately my hands got burnt in the process.

I thought the trip would be off.

Fortunately all of the doctors and nurses I saw were incredibly helpful, I avoided anything likely to give me an infection and, I managed make enough of a recovery, just about in time.

So I made it to the plane, and into another series of unknowns. The highest altitude I’d done before was probably somewhere near Watford. The trip had been kind of last minute and the fire had reduced any ‘worry time’ as I had to deal with the array of overwhelming logistics involved in filming in a dusty, hot, freezing, dark, bright, electricity-starved environment. Basically buying tons of equipment, and consulting Dr Google for advice.

I was headed out to document a research project called Xtreme Everest 2. A study taking healthy volunteers on a trek up to Everest Base Camp, testing them all along the way, and seeing how they reacted to the differing altitude and the ever-decreasing availability of oxygen.

The mountains are useful for research because the low oxygen levels that are normal up here mimic a problem faced by thousands of people in intensive care back down at sea level. If the house fire had gone on for 15 more minutes the smoke inhalation could have seen me hitting dangerously low levels of oxygen myself.

The plane ride into the terrifyingly tiny landing strip at the foot of the mountains was probably when I started to realise just how alien this was going to be. As I filmed on the tiny, shaky, Yeti airline plane I wasn’t really paying too much attention to the outside world. Normally this diversion from the present is my least favourite thing about filming, but this time I was grateful for the distraction. I’m not a delighted flyer. Despite having a Masters in Science [however tenuous] I still don’t really trust that aeroplanes can actually work, it doesn’t seem right does it?

We hit the tiny runway and didn’t crash into the mountain at the end of it, no more motorized movement for a month.

As I went to bounce excitedly up the steps outside Lukla airport I was suddenly hit by how tiny my lungs seemed to have become. It wasn’t like I was feeling particularly tired, I just was conscious of every step I made. Walking was suddenly a ‘thing’.

A friend who has Rheumatoid arthritis mentioned how she feels like she has ‘tokens’ of energy that she can use each day. If she wants to cook a big meal, then that’s her

token used up so she can’t go out that night, or go swimming as she’ll be using tomorrow’s token, leaving her unable to get out of bed in the morning. It kind of hit home to me, how dependent I was on my physiology. I still had to go 3000m higher and I was feeling it already.

The second night in, I began to notice it affecting my brain too. Words don’t come to you so easily. Even having conversations with people becomes difficult as thinking guzzles your precious oxygen. My chat usually gets me in and out of most problems each day, but it was in short supply.

I guess I was acclimatising because eventually this stopped being quite so noticeable. I think I understood what I was capable of, how many tokens I had,and just scaled down my ambitions to suit that. You literally can’t do what you would at sea level. I’m used to working a full day with coffee and inhaled pollution for sustenance when a difficult shoot is at stake. But up there it’s impossible. The difficulty of lugging heavy camera gear around, constantly thinking, and concentrating on filming in a bastard awkward environment takes a big toll. But once you’ve adapted to what your abilities are, as long as you live within those and take it slow, you cope.

Filming was hard. It’s a ridiculously difficult environment, but I’ll probably write a whole post about that another time….

We stayed in tea houses which are basically wooden hut type things, they are very basic, but pretty comfortable and way better than sleeping in a tent. My ridiculously huge sleeping bag kept me warm and I found I slept really well on the mountain.

One hut in Dingboche was covered in flies which doesn’t fill you with confidence, and pretty soon sickness came to our group. But it did mean I could take this cool photo of a fly attacking a mountain, so it’s swings and roundabouts.

I went up to Loboche Pass which is the memorial for all those who have died attempting to summit Everest. It was a spooky place, hundreds of piles of stones and prayer flags commemorating the dead. It becomes clear that the higher and higher up the mountain you go the better the view gets. I’d never understood why you’d want to climb Everest, but looking up at these incredible peaks, I could comprehend it marginally more. The desire to stand at the top of the world is pretty powerful once it gets in your head. Despite this, the whole trip, I never once felt like I would ever want to try and summit Everest. Crazy people.

I got to climb one mountain called Kala Patthar. It was one of the best things I’ve ever done. There was a realistic chance I could have died, clambering to the summit over a tangled web of decaying prayer flags, with absolute certain death on my left if I tripped or got caught by a gust of wind. It was incredible. Here is a photo of me on the summit and my eyes are half closed and I look stoned.

It’s something like being on drugs [I would guess] it’s not reality, your body is firing at your mind, grasping, and failing, to deal with where you are and how you should feel about it. I made a quick film whilst on top…

[youtube http://www.youtube.com/watch?v=Sr2c4xFwPfc&w=640&h=360]

I felt changed as I walked down. Then I realised I’d left a glove somewhere half way down on a rock and it struck me that I probably hadn’t changed too much.

This is a photo of me after walking for two hours and discovering my room key from the previous night’s lodge. Fortunately my Sherpa Passang just handed it to the next guy coming down who laughed at me, and took it down the mountain with him. This probably sums up my entire experience with the Nepalese people. Fun, cheeky, friendly, and so keen to help.

As we reached Everest Base Camp I was feeling really strong, I was in good shape, still hadn’t taken as much as a paracetemol in the preceding 20 days. Having said that I drank a lot of Tang, which is a kind of fruity sugar powder, and I think contains all the drugs, and is highly illegal in most continents.

Sleeping on ice is strange,

This looks pretty uncomfortable but when you’re exhausted you tend to sleep pretty well. The guys at Base Camp have an incredible set up. There are no solid structures up there, only tents, fancy tents, I’ll give them that, but it’s such hard work being up there. They are there doing research in this environment for up to 3 months at a time.

One Sherpa carried an exercise bike up the mountain on his back. That made me feel less proud of my achievement of making it there. It reminded me of the time I got overtaken by a man dressed as bee in the Swindon half marathon.

The people I got to hang out with on the trip were so ace. It was great to get to know my two working buddies really well, we didn't argue [much], and I learned a lot from them. Spending a month with people, and within a culture, makes it impossible for you not be to be influenced by both. All the volunteers on the trip were there because they really cared about the science. You speak to one person, they are part time doctor/part time mountain rescuer, doing this in there holiday time. You had nurses, doctors, scientists, and ambitious students. They were a fun bunch of people. It made me want to get involved in these things more often. I’m pretty outdoorsy, but considering I’ve lived in the UK forever, and not climbed Snowdon or Ben Nevis, been to the highlands, or the New Forest is borderline criminal, if the people who do it are as cool as the guys I met on Everest, then it’s a no brainer. Think how fun we would all be with 50% extra oxygen to play with. Eventually we would find out when we got back to Kathmandu after a month in the mountains, it was pretty nuts. They were even nicer and more fun, we all smelled better when we got back to bricks, mortar, cars, and rum.

I felt like I needed more acclimatisation going from the sparse mountains to insanity of Kathmandu than I did going up to Base Camp. Everything was fast, polluted, and noisy. I still found the locals to be super friendly, not the kind of hassle I expected before I got there.

I would love to go back to Nepal, it was my first proper travel trip and I need to do it more. My rucksack that was with me every day for a month looks empty, and depressed in the attic, but we will ride again.

I’m really grateful for Greg Foot taking a gamble of bringing me out with him. I think we’ve made some great content. Below is a film I edited from the footage shot up the mountain. I hope you like it.

For more on the science and the insanity of working at Base Camp check out our film on the Guardian and Ri Channel:

[youtube http://www.youtube.com/watch?v=watch?v=tovsOiSvZ_c&w=560&h=315] Watch the full video with photos here: http://www.richannel.org/xtreme-everest

I should probably shave my moustache and terrible beard off now.

Not quite yet though. But maybe soon.

I tried to read ‘If on a Winter’s Night a Traveller’ by Italo Calvino on the mountain, but it was so mind melting that I literally couldn’t cope [This also happened when I tried to watch Looper on the flight on the way home]

I read it on the way home and it changed me; probably almost as much as going up that mountain, read it. It’s cheaper than a month expedition to Everest.

Let’s go on an ADVENTURE again soon yeah?

Some good links:

Greg Foot's Website [including links to a schools science show tour based on the adventure]:

Jenna Wiley's Blog - Detailing one of the volunteers adventures in travelling and science

Some badass Tweeter's from the trip

Greg - @GregFoot

Emily - @ejghio

Nick - @NickInsley22

Jenna - @wilesjm

and me too if you like @thomhoffman

Comment

2 Comments

Point Break: or... what I learned about making a short short film

February 10, 2012

Point Break in 6.0 Steps

So we made the shortlist for the Empire Done in 60 Seconds Film Competition [Hells yeah!]. The challenge was to remake a film in 60 seconds. So I thought I’d make a little guide to how we made our short film, and a little bit about making short films in general [caveat I know nothing about anything].

[vimeo http://www.vimeo.com/35321098 w=400&h=225]

Point Break - Done in 60 Seconds from Thom Hoffman on Vimeo.

1] Pick a film, and watch that film

When making a short film, which is very unlikely to make you any money, it’s important you don’t go overboard on expenditure. Sure you want some exploding helicopters? Don’t we all, but unless you work for some kind of ballistics company with a penchant for expensive team-building exercises, it’s unlikely you’re going to be able to film one.

You may, however, be doing something cool or weird which you can film. Maybe, you’re uncle trains Killer Whales, perhaps it snowed and you love Scandinavian vampire films, or perhaps you just got fired and want to push your bosses computer out of a window. NOW IS YOUR CHANCE, GRAB YOUR CAMERA. You must take advantage of these natural situations to help work efficiently, and make the best of the other activities that make up the time of your life

We were planning on going surfing so naturally we thought of how we could incorporate it into a film. We immediately thought of Point Break, despite no-one being able to recall having seen it all the way through.

We all sat down, watched the film, laughed, threw ideas around, joked and made notes, and ate pizza, naturally.

2) Write a Script

Sam Wong took the bull by the horns and started a google document throwing down the ideas we’d discussed the day before. We shared the document with everyone who was to come surfing, and added jokes, vetoed jokes, and started to get a bit creative with our ideas.

The main thing about scripting is that it’s the best time to be editing. The more you shoot, the more time it will take to edit, the more stressed you get about decisions, and the less fun the process becomes. A wise man said if you have a shooting ratio of more than 80:1 you’re effectively a CCTV camera, not a filmmaker.

3) Storyboard

Not everyone likes to storyboard, and it’s by no means essential. Some scenes I storyboarded and some I didn’t. I think it helps loads when making a short film that needs to link together super-smoothely; to think about how your shots will connect to each other. The more times you do this, the more you understand the grammar of film, and how different shots work their way into the narrative. Every decision you take as a filmmaker should have a reason. Kurt Vonnegut said, start as close to the end as possible. I think that’s a good way to look at things. Does this bit need to be here?

I cannot draw for toffee, and not even one of those expensive classy souvenir toffees, I’m talking some kind of Chomp of something. But this doesn’t have to hold you back. See Exhibit A.

A storyboard is a great way to show actors, other camera people, editors, etc, and even stick men will go some way to help.

4) Shoot

The advent of Digital SLR cinematography is, if we were wanky-media-types, what we could call ‘a gamechanger’. I have a Canon 550D which set me back around £550. And you could legitimately do everything on that basic kit if you wanted to, it films in full HD. Realistically you are going to want to spend a bit more on some sound equipment, something like a Zoom H4N will work great and is around £200, then you might well want some more lenses to give you a few more options. I love my 50mm prime [fixed] lens it lets in lots of light and allows you to have a really nice cinematic shallow depth of field. I wouldn’t actually have bothered getting the kit lens if I knew what I know now, but it certainly is adequate for the purposes of a short film.

You don’t need to have a DSLR though, this brilliant short film [Thrush] by was made using just a stills camera, and you could get the same results using any decent level compact camera.

[vimeo http://www.vimeo.com/4131811 w=400&h=225]

Thrush from Gabriel Bisset-Smith on Vimeo.

I personally think ideas are way more important than the equipment. These DSLRS are great, and really allow you to tell a story which looks pretty professional to most people’s eyes once squeezed down into Youtube or Vimeo.

I bought a 55-250mm (telephoto zoom) lens, because I like Wildlife photography, and it’s good for filming gigs and things at a distance. It also works great for shooting something like surfing, for when you don’t want to take your shiny new camera too far into the sea…

If you are looking to get started in the world of filming I really recommend nofilmschool blog, which has an awesome free DSLR cinematography guide. There are also loads of cool instructional and educational videos on Vimeo which can help guide you. Most importantly, get out there, film something, make some mistakes, as Beckett said, fail again, fail better. You’ll learn about composition, depth of field, focusing, aperture, lighting, sound etc as you go along. Take each trip and play around with one setting until you feel like you’ve mastered it.

We shot the surfing stuff first as we were going surfing in October, it was really fun, we only needed a little bit of surfing so we just tried to get some shots for the montage, and some shots of good surfing. It only made a few seconds in the film, but it gave it a bit of something extra because it had some bona fide action. We then cheated by faking two different parachute jump scenes, with cheeky replacement activities; including one in the doorway of a Sainsbury’s.

The deadline wasn’t until January, so naturally we kind of forgot about it for a while until we had a few weeks left to spare, then gathered everyone together to film the rest of the scenes. We storyboarded, then just improvised around what we had in the local area.

I think it’s a good idea to keep a diary of places that you might one day want to film in, with some pictures and moods or genres. They say it’s all about location location location, and whilst that’s probably a bit excessive for filming, choose the right location, and you have to work much less hard to make things look interesting, and struggle against unwieldy logistics.

Get friends to help you too, my flatmate/ TV researcher Nigel Alred, came and operated the camera and sound when the rest of us where acting. It’s a big help to have people around, and it should be pretty fun so you it doesn’t have to be a massive chore. We basically nailed it in one afternoon.

5) Editing

Once you’ve got all your footage you have to start piecing it together. I recently bought a 2nd hand iMac of Gumtree, which came with software included. The latest version of Final Cut Pro [Industry standard Video Editing Software] is £199, which is incredible considering what you can do with it. You can download a free month trial of most softwares, long enough to experiment with different programmes, see whether you like them [or whether you like filmmaking at all]. And, if you work smartly, long enough to cut your short film. Final Cut [Mac] and Adobe Premier Pro [Mac and PC] are the two main choices here.

I did a first edit of the surfing footage we did, which was helpful in framing what we shot on the last day. You start to develop a pace, and style which informs how the rest of your movie should feel. You become attached to certain shots, and sometimes you have to ignore that, sometimes you have to embrace it, there’s no certainty behind it. But if it’s your project, back yourself to know what you want.

I watched my footage through and decided if it was worth keeping or not, and whether is was A grade material or B grade material [in relative terms…]. I would raise a note of caution here: if you are doing a 60 second film, the shots will be so quick that even if it’s not a perfect take all the way through; there may be enough there for it to be the best one. So if something has a bit of magic to it but someone muffs a line or laughs; don’t necessarily bin it. That slightly less magical, yet perfect, take may be trimmed to a half a second. I was actually guided by those laughs, and pretty much every scene in the rough edit was one that had me or someone else laughing at the end. Normally very unprofessional and annoying, but in this case it marked it out as having a viscerally funny quality, if we didn't find it funny at the time, chance are the audience won't, and vice-verse. Something it gets hard to appreciate once you’ve seen something 100 times.

Get it down to the size you want, and remember our old friend Kurt, you may feel it’s impossible to cut anything else out but you’ll soon find that you can trim scenes here and there, overlay dialogue, just plain old DELETE. This is where we are really glad we didn’t film way too much, and subsequently have to kiss goodbye to complicated scenes that just will not fit.

An important lesson going back to the writing, is the importance of conveying things using everything that isn’t dialogue. It’s a great skill to learn as a filmmaker, and one that probably develops later in normal film making. In short filmmaking it’s non-negotiable. Everything has to drive the narrative; because there just isn’t time to explain everything in words. Every look, prop, bit of music, sound effect is an opportunity to help you tell your story more effectively.

Sound is crucial, we had to redo the beach sounds, because of noisy wind and waves and there are probably some slightly dubious dubbing bits, but it’s really important that people can hear what the actors are saying. This is not a mumblecore film, [though I actually like those films] it’s a film equivalent of a street fight, and each blow has to land.

Music helps loads, it tells the story, covers any dodgy recorded-sound, and gives you another avenue for comedic expression. Sound effects are really important, you may have to redo footsteps so they’re not affected by the wind, find some sound clips of waves, or atmosphere. One of the funnest bits of the whole process was having all of us attempting to recreate the sound of a cat being kicked. We wanted to ensure no cats were harmed during the process… I think we used Geoff Marsh's cat sound in the end.

Finally when you’ve chopped it and smoothed it, send it to a friend or two, upload it privately to vimeo and send people links, take feedback. If you want to be in a creative industry you’re going to have to get used to criticism. Bear in mind that you may be blind to the film having watched it so many times, and maybe slightly hate it a bit too [don’t worry this feeling will pass]. Take people’s suggestions if they have them. Think about them, they are more like your audience than you are [Most people will only watch this once, and you could probably reenact it word for word]. You’re decision is final, just make sure you can justify these decisions, even if just in your own mind. You’re always unhappy with your last project because you are a better filmmaker for having made it! As The genius Stephen Wright says.

‘Experience is something you get just after you need it’.

6) Upload and spread the word

This is probably the bit I’m least good at, there has never been a better time to make amateur movies. There is a massive potential audience out there, hungry for good content. YouTube is like the 2nd largest search engine in the world. We’ve tried to spread the word through Twitter, and Facebook, forums and various other bits of internet, and hopefully lots of random people will have stumbled across the website and enjoyed what everyone has done. If you like the film please spread the word, but the important thing is that it was really fun to make. There are some other really cool entries too, making use of varied tools from animation, to mobile phone footage. The most important thing is that it’s fun to do, it’s great to make things, and a competition like this is a really good way to learn some lessons, make some mistakes and practice the art of telling good stories.

Mad props to the following people

Ben Harp - Charlie Hall Johnny Utah - Sam Wong Pappas - Thom Hoffman Tyler - Sam Woolf Bodhi - Geoff Marsh

And Nigel Alred

Special thanks to Charlie Hall who inspired me by doing this last year.

[youtube http://www.youtube.com/watch?v=qUbG9f1nQBY&w=560&h=315]

Hopefully you’ll feel you can have a go too, and if you need a second opinion or some help get in touch.

Thom - find me on my website thomhoffman.co.uk

2 Comments

RamblingsUL

2013 Culture Badger review of the year 2013 - @ThomHoffman

Into The Wild

Point Break: or... what I learned about making a short short film