Thom Hoffman's Flu Movie Review

I had a bad cold/virussey thing this week, on the back of travelling for a month, I've had time to watch all of the films. I love good films, but hate wasting time on bad ones, and have usually had my fill of looking at glowing rectangle screens for work. Anyway here is my flu movie review. There may be 3-4 of these annually, but do not seek a doctor for minor side effects.

American Movie

A documentary about a filmmaker who is a bit of a social misfit, trying to finish his projects and come to terms with the hands he's been dealt, and the cards he's thrown on the floor, and occasionally set fire to. It's kind of heart-warming, but with slightly sinister overtones.

I'm also kind of in love with his friend Mike, who is a great cinematic character, genuinely loveable and probably a very good warning on why you should not do all of the drugs.

It's good for demonstrating the role of creating art in curing, and causing many psychological problems.

The Devil and Daniel Johnston

This is another documentary with slightly less blurred lines between creative expression and mental health. Daniel Johnston is a folk musician and artist, who first caught my ear upon hearing his particularlarly weird, haunting, catchy, cute songs of love, hope and despair.

I've always loved music that comes from the heart, and creative expression that reaches past production values and just kicks you in the soul. His crackly vocals, might not win a singing contest, but that leaves the other expressive elements a gap to fight their way in to.

This is not a sentimental view of mental health problems either, you see the effect on Daniel, and his family as his irrational behaviour takes over. Including when having a paranoid manic episode he runs up to confront a lady who has been shouting at him from her apartment, the lady subsequently jumps out of a second floor window, breaking both her ankles.

The tragedy of mental health problems, the ups and downs that occupy any artistic career are amplified hugely and the portrait painted in this documentary is complex, and thought provoking, whilst soundtracked, and filled with Daniel's music and art.

The Great Hip-Hop Hoax: Silibil n' Brains

Little known to me until watching this documentary, I had a sticker of hip hop group Silibil n' Brains on the back of my guitar from the early noughties. I wonder what stage of their journey I would've found this sticker, during the height of the hype, or when they were on the way down with a lot of stickers to get rid of and no record released...

It's a great story about two scottish rappers from Dundee, who tried to make it in London only to be dismissed as the rapping proclaimers. Hurt and pissed off that they were not being taken seriously, they decided to adopt new accents, move south of the border and try and blag it as Californian skate punk rappers. Within a couple of weeks they'd gone from sleeping on their sister's floor, to having a flat paid for and access to a huge advance with studios to record in. It seemed too good to be true, and it was a lie, but no-one realised...

The story of how this happened, the consequences, the ironic beauty of beating a music industry at it's own game, is weighed with the strains on a friendship and the issues or pretending to be something you're not all the time. Great documentary that Storyville picked up. Well worth watching if you get a chance.

Once

The music theme continued with this very different film which is kind of a mumblecore, naturalistic romantic comedy musical type film. I watched this on my laptop on the Megabus going from Washington to New York so was pretty keen for some escapism. It's a very cute film, with some great music.

I first saw Glen Hansard and Marketa Irglova perform on one of NPR's fantastic tiny desk concert sessions, and the powerful raw vocals, and dense guitar work really blew me away.

They seemed like funny cool guys too. They are not actors and this kind of shows through, though predominantly in a good way. Handheld cameras, handheld performance and realistic dialogue ensure this never veers to far into saccharine territory, and just comes across as a life affirming, sweet film, that avoids cliche enough and showcases their excellent musicianship.

Sleepwalk with Me

NPR have their hand in this movie too as it's produced by Ira Glass of This American Life fame. It's the, seemingly true to life, story of comedian Mike Birbiglia and his travails with forging a career in comedy, and a career in life. Naturalistic acting comes across here too, it's a very cute film, worth seeking out, though probably don't watch it with your partner if your relationship is a little on the rocks. Maybe watch Once instead.

Untouchable

This film had great reviews this year, so I bought it on itunes. The front cover and the poster make it look like the worst film in all of human history, a young black guy is skipping, pushing, an older white man in a wheelchair down a hill with paragliders in the background. I can see how the marketing department had a tough job, as one of this films strengths is avoiding the typical, refusing to be captured too simplistically, which ain't so great for posters. This film cheered me up a great deal, it's a bit cheesy, but not too much that it's annoying. Hollywood, I know you're reading this, take note. This can be done.

5 Broken Cameras

Finally as my weekend of staying in and recovering drew to a close I watched 5 Broken Cameras, a fascinating documentary about Israel/Palestine and the West Bank, as shot through a demonstrator's eyes, and several of his cameras. You are engrossed from the first minute. This film has got you. The device of telling the story through each of his cameras as they degrade, get shot at, and damaged, lends itself a great narrative arc. It leaves you feeling moved, angry, and impressed with non-violent resistance in the face of overt aggression. It's pretty hard to imagine what you would do in this situation, as a filmmaker myself, it was a choice for me. For Emad, this is his route to salvation, his way of taking power back, and protecting himself against external forces and the reality of his situation. When you have no control, it's easy to become hopeless or hostile. When someone breaks your first camera, it's easy to give up or react to the provocation. Who can say what we would've done in his situation. It's clearly a complex area, but you should really watch this film, it will make you want to understand more.

The humble Braggs and X-ray crystallography: Solving the patterns of matter

Lastly is a shout for a film I watched about 30 times this month, because I made it. It's a little hard for me to tell how good this is, probably have to look at it again in a year when I have some distance. It's gone down really well though, and thanks to everone who tweeted it and shared it around, it means a lot.

One Youtube comment says 'I've seldom seen a more boring documentary about such a most remarkable person! Shame on you for wasting 9 minutes on this botched up "whatshallwecallit".'

ouch, but the person who wrote it, only seems to like Gordon Ramsey's Kitchen Nightmares.

So I'll be taking that as a compliment.

Cheers

Thom

@thomhoffman

http://thomhoffman.co.uk

Into The Wild

Two weeks before I was due to fly to the Himalayas, I found myself sat in the Royal Free hospital in North London with 1st and 2nd degree burns on 7 of my fingers, stinking of smoke and burnt plastic, with my hands in a bag of frozen mixed vegetables. My mind began flitting between thoughts of pain, and guilt, and constantly back to anxiety as to how I’d somehow managed to get into this insane situation, and whether my mountain adventure was now over, a fortnight before it was due to start. My laptop charger overheated and set fire to various parts of my bedroom, fortunately I was upstairs at the time and eventually the aforementioned gross burning smell attracted my attention. I managed to stop the fire before burning down the whole house. Unfortunately my hands got burnt in the process.

I thought the trip would be off.

Well I could've done without this...

Fortunately all of the doctors and nurses I saw were incredibly helpful, I avoided anything likely to give me an infection and, I managed make enough of a recovery, just about in time.

So I made it to the plane, and into another series of unknowns. The highest altitude I’d done before was probably somewhere near Watford. The trip had been kind of last minute and the fire had reduced any ‘worry time’ as I had to deal with the array of overwhelming logistics involved in filming in a dusty, hot, freezing, dark, bright, electricity-starved environment. Basically buying tons of equipment, and consulting Dr Google for advice.

I was headed out to document a research project called Xtreme Everest 2. A study taking healthy volunteers on a trek up to Everest Base Camp, testing them all along the way, and seeing how they reacted to the differing altitude and the ever-decreasing availability of oxygen.

The mountains

The mountains are useful for research because the low oxygen levels that are normal up here mimic a problem faced by thousands of people in intensive care back down at sea level. If the house fire had gone on for 15 more minutes the smoke inhalation could have seen me hitting dangerously low levels of oxygen myself.

The plane ride into the terrifyingly tiny landing strip at the foot of the mountains was probably when I started to realise just how alien this was going to be. As I filmed on the tiny, shaky, Yeti airline plane I wasn’t really paying too much attention to the outside world. Normally this diversion from the present is my least favourite thing about filming, but this time I was grateful for the distraction. I’m not a delighted flyer. Despite having a Masters in Science [however tenuous] I still don’t really trust that aeroplanes can actually work, it doesn’t seem right does it?

Lukla_Onluklaloors

We hit the tiny runway and didn’t crash into the mountain at the end of it, no more motorized movement for a month.

As I went to bounce excitedly up the steps outside Lukla airport I was suddenly hit by how tiny my lungs seemed to have become. It wasn’t like I was feeling particularly tired, I just was conscious of every step I made. Walking was suddenly a ‘thing’.

A friend who has Rheumatoid arthritis mentioned how she feels like she has ‘tokens’ of energy that she can use each day. If she wants to cook a big meal, then that’s her

token used up so she can’t go out that night, or go swimming as she’ll be using tomorrow’s token, leaving her unable to get out of bed in the morning. It kind of hit home to me, how dependent I was on my physiology. I still had to go 3000m higher and I was feeling it already.

My favourite photo from the whole trip

IMAG0859_Hagrid_Hassel

The second night in, I began to notice it affecting my brain too. Words don’t come to you so easily. Even having conversations with people becomes difficult as thinking guzzles your precious oxygen. My chat usually gets me in and out of most problems each day, but it was in short supply.

I guess I was acclimatising because eventually this stopped being quite so noticeable. I think I understood what I was capable of, how many tokens I had,and just scaled down my ambitions to suit that. You literally can’t do what you would at sea level. I’m used to working a full day with coffee and inhaled pollution for sustenance when a difficult shoot is at stake. But up there it’s impossible. The difficulty of lugging heavy camera gear around, constantly thinking, and concentrating on filming in a bastard awkward environment takes a big toll. But once you’ve adapted to what your abilities are, as long as you live within those and take it slow, you cope.

Filming was hard. It’s a ridiculously difficult environment, but I’ll probably write a whole post about that another time….

We stayed in tea houses which are basically wooden hut type things, they are very basic, but pretty comfortable and way better than sleeping in a tent. My ridiculously huge sleeping bag kept me warm and I found I slept really well on the mountain.

One hut in Dingboche was covered in flies which doesn’t fill you with confidence, and pretty soon sickness came to our group. But it did mean I could take this cool photo of a fly attacking a mountain, so it’s swings and roundabouts.

IMAG0867_Hagrid_Hassel

I went up to Loboche Pass which is the memorial for all those who have died attempting to summit Everest. It was a spooky place, hundreds of piles of stones and prayer flags commemorating the dead. It becomes clear that the higher and higher up the mountain you go the better the view gets. I’d never understood why you’d want to climb Everest, but looking up at these incredible peaks, I could comprehend it marginally more. The desire to stand at the top of the world is pretty powerful once it gets in your head. Despite this, the whole trip, I never once felt like I would ever want to try and summit Everest. Crazy people.

memorial3

I got to climb one mountain called Kala Patthar. It was one of the best things I’ve ever done. There was a realistic chance I could have died, clambering to the summit over a tangled web of decaying prayer flags, with absolute certain death on my left if I tripped or got caught by a gust of wind. It was incredible. Here is a photo of me on the summit and my eyes are half closed and I look stoned.

Thom_KalaPattar

It’s something like being on drugs [I would guess] it’s not reality, your body is firing at your mind, grasping, and failing, to deal with where you are and how you should feel about it. I made a quick film whilst on top…

[youtube http://www.youtube.com/watch?v=Sr2c4xFwPfc&w=640&h=360]

I felt changed as I walked down. Then I realised I’d left a glove somewhere half way down on a rock and it struck me that I probably hadn’t changed too much.

This is a photo of me after walking for two hours and discovering my room key from the previous night’s lodge. Fortunately my Sherpa Passang just handed it to the next guy coming down who laughed at me, and took it down the mountain with him. This probably sums up my entire experience with the Nepalese people. Fun, cheeky, friendly, and so keen to help.

Thom_Key_Anne_Hassel

As we reached Everest Base Camp I was feeling really strong, I was in good shape, still hadn’t taken as much as a paracetemol in the preceding 20 days. Having said that I drank a lot of Tang, which is a kind of fruity sugar powder, and I think contains all the drugs, and is highly illegal in most continents.

Sleeping on ice is strange,

TENT_ON_ICE

This looks pretty uncomfortable but when you’re exhausted you tend to sleep pretty well. The guys at Base Camp have an incredible set up. There are no solid structures up there, only tents, fancy tents, I’ll give them that, but it’s such hard work being up there. They are there doing research in this environment for up to 3 months at a time.

One Sherpa carried an exercise bike up the mountain on his back. That made me feel less proud of my achievement of making it there. It reminded me of the time I got overtaken by a man dressed as bee in the Swindon half marathon.

The people I got to hang out with on the trip were so ace. It was great to get to know my two working buddies really well, we didn't argue [much], and I learned a lot from them. Spending a month with people, and within a culture, makes it impossible for you not be to be influenced by both. All the volunteers on the trip were there because they really cared about the science. You speak to one person, they are part time doctor/part time mountain rescuer, doing this in there holiday time. You had nurses, doctors, scientists, and ambitious students. They were a fun bunch of people. It made me want to get involved in these things more often. I’m pretty outdoorsy, but considering I’ve lived in the UK forever, and not climbed Snowdon or Ben Nevis, been to the highlands, or the New Forest is borderline criminal, if the people who do it are as cool as the guys I met on Everest, then it’s a no brainer. Think how fun we would all be with 50% extra oxygen to play with. Eventually we would find out when we got back to Kathmandu after a month in the mountains, it was pretty nuts. They were even nicer and more fun, we all smelled better when we got back to bricks, mortar, cars, and rum.

IMAG0933_Hagrid_Hassel1

share_Sand

I felt like I needed more acclimatisation going from the sparse mountains to insanity of Kathmandu than I did going up to Base Camp. Everything was fast, polluted, and noisy. I still found the locals to be super friendly, not the kind of hassle I expected before I got there.

I would love to go back to Nepal, it was my first proper travel trip and I need to do it more. My rucksack that was with me every day for a month looks empty, and depressed in the attic, but we will ride again.

Prayer_Flag_LADS

I’m really grateful for Greg Foot taking a gamble of bringing me out with him. I think we’ve made some great content. Below is a film I edited from the footage shot up the mountain. I hope you like it.

For more on the science and the insanity of working at Base Camp check out our film on the Guardian and Ri Channel:

[youtube http://www.youtube.com/watch?v=watch?v=tovsOiSvZ_c&w=560&h=315] Watch the full video with photos here: http://www.richannel.org/xtreme-everest

I should probably shave my moustache and terrible beard off now.

Not quite yet though. But maybe soon.

I tried to read ‘If on a Winter’s Night a Traveller’ by Italo Calvino on the mountain, but it was so mind melting that I literally couldn’t cope [This also happened when I tried to watch Looper on the flight on the way home]

I read it on the way home and it changed me; probably almost as much as going up that mountain, read it. It’s cheaper than a month expedition to Everest.

Let’s go on an ADVENTURE again soon yeah?

Some good links:

Greg Foot's Website [including links to a schools science show tour based on the adventure]:

Jenna Wiley's Blog - Detailing one of the volunteers adventures in travelling and science

Some badass Tweeter's from the trip

Greg - @GregFoot

Emily - @ejghio

Nick - @NickInsley22

Jenna - @wilesjm

and me too if you like @thomhoffman

share_Anne

Point Break: or... what I learned about making a short short film

ME

Point Break in 6.0 Steps

So we made the shortlist for the Empire Done in 60 Seconds Film Competition [Hells yeah!]. The challenge was to remake a film in 60 seconds. So I thought I’d make a little guide to how we made our short film, and a little bit about making short films in general [caveat I know nothing about anything].

[vimeo http://www.vimeo.com/35321098 w=400&h=225]

Point Break - Done in 60 Seconds from Thom Hoffman on Vimeo.

1] Pick a film, and watch that film

When making a short film, which is very unlikely to make you any money, it’s important you don’t go overboard on expenditure. Sure you want some exploding helicopters? Don’t we all, but unless you work for some kind of ballistics company with a penchant for expensive team-building exercises, it’s unlikely you’re going to be able to film one.

You may, however, be doing something cool or weird which you can film. Maybe, you’re uncle trains Killer Whales, perhaps it snowed and you love Scandinavian vampire films, or perhaps you just got fired and want to push your bosses computer out of a window. NOW IS YOUR CHANCE, GRAB YOUR CAMERA. You must take advantage of these natural situations to help work efficiently, and make the best of the other activities that make up the time of your life

TRIP

We were planning on going surfing so naturally we thought of how we could incorporate it into a film. We immediately thought of Point Break, despite no-one being able to recall having seen it all the way through.

We all sat down, watched the film, laughed, threw ideas around, joked and made notes, and ate pizza, naturally.

OOOOHKEANU

2) Write a Script 

Sam Wong took the bull by the horns and started a google document throwing down the ideas we’d discussed the day before. We shared the document with everyone who was to come surfing, and added jokes, vetoed jokes, and started to get a bit creative with our ideas.

The main thing about scripting is that it’s the best time to be editing. The more you shoot, the more time it will take to edit, the more stressed you get about decisions, and the less fun the process becomes. A wise man said if you have a shooting ratio of more than 80:1 you’re effectively a CCTV camera, not a filmmaker.

3) Storyboard

Not everyone likes to storyboard, and it’s by no means essential. Some scenes I storyboarded and some I didn’t. I think it helps loads when making a short film that needs to link together super-smoothely; to think about how your shots will connect to each other. The more times you do this, the more you understand the grammar of film, and how different shots work their way into the narrative. Every decision you take as a filmmaker should have a reason. Kurt Vonnegut said, start as close to the end as possible. I think that’s a good way to look at things. Does this bit need to be here?

I cannot draw for toffee, and not even one of those expensive classy souvenir toffees, I’m talking some kind of Chomp of something. But this doesn’t have to hold you back. See Exhibit A.

scan0001

A storyboard is a great way to show actors, other camera people, editors, etc, and even stick men will go some way to help.

4) Shoot

The advent of Digital SLR cinematography is, if we were wanky-media-types, what we could call ‘a gamechanger’. I have a Canon 550D which set me back around £550. And you could legitimately do everything on that basic kit if you wanted to, it films in full HD. Realistically you are going to want to spend a bit more on some sound equipment, something like a Zoom H4N will work great and is around £200, then you might well want some more lenses to give you a few more options. I love my 50mm prime [fixed] lens it lets in lots of light and allows you to have a really nice cinematic shallow depth of field. I wouldn’t actually have bothered getting the kit lens if I knew what I know now, but it certainly is adequate for the purposes of a short film.

You don’t need to have a DSLR though, this brilliant short film [Thrush] by was made using just a stills camera, and you could get the same results using any decent level compact camera.

[vimeo http://www.vimeo.com/4131811 w=400&h=225]

Thrush from Gabriel Bisset-Smith on Vimeo.

I personally think ideas are way more important than the equipment. These DSLRS are great, and really allow you to tell a story which looks pretty professional to most people’s eyes once squeezed down into Youtube or Vimeo.

I bought a 55-250mm (telephoto zoom) lens, because I like Wildlife photography, and it’s good for filming gigs and things at a distance. It also works great for shooting something like surfing, for when you don’t want to take your shiny new camera too far into the sea…

CRAB

If you are looking to get started in the world of filming I really recommend nofilmschool blog, which has an awesome free DSLR cinematography guide. There are also loads of cool instructional and educational videos on Vimeo which can help guide you. Most importantly, get out there, film something, make some mistakes, as Beckett said, fail again, fail better. You’ll learn about composition, depth of field, focusing, aperture, lighting, sound etc as you go along. Take each trip and play around with one setting until you feel like you’ve mastered it.

We shot the surfing stuff first as we were going surfing in October, it was really fun, we only needed a little bit of surfing so we just tried to get some shots for the montage, and some shots of good surfing. It only made a few seconds in the film, but it gave it a bit of something extra because it had some bona fide action. We then cheated by faking two different parachute jump scenes, with cheeky replacement activities; including one in the doorway of a Sainsbury’s.

RIDE

The deadline wasn’t until January, so naturally we kind of forgot about it for a while until we had a few weeks left to spare, then gathered everyone together to film the rest of the scenes. We storyboarded, then just improvised around what we had in the local area.

I think it’s a good idea to keep a diary of places that you might one day want to film in, with some pictures and moods or genres. They say it’s all about location location location, and whilst that’s probably a bit excessive for filming, choose the right location, and you have to work much less hard to make things look interesting, and struggle against unwieldy logistics.

BANK

Get friends to help you too, my flatmate/ TV researcher Nigel Alred, came and operated the camera and sound when the rest of us where acting. It’s a big help to have people around, and it should be pretty fun so you it doesn’t have to be a massive chore. We basically nailed it in one afternoon.

5) Editing

Once you’ve got all your footage you have to start piecing it together. I recently bought a 2nd hand iMac of Gumtree, which came with software included. The latest version of Final Cut Pro [Industry standard Video Editing Software] is £199, which is incredible considering what you can do with it. You can download a free month trial of most softwares, long enough to experiment with different programmes, see whether you like them [or whether you like filmmaking at all]. And, if you work smartly, long enough to cut your short film. Final Cut [Mac] and Adobe Premier Pro [Mac and PC] are the two main choices here.

I did a first edit of the surfing footage we did, which was helpful in framing what we shot on the last day. You start to develop a pace, and style which informs  how the rest of your movie should feel. You become attached to certain shots, and sometimes you have to ignore that, sometimes you have to embrace it, there’s no certainty behind it. But if it’s your project, back yourself to know what you want.

I watched my footage through and decided if it was worth keeping or not, and whether is was A grade material or B grade material [in relative terms…]. I would raise a note of caution here: if you are doing a 60 second film, the shots will be so quick that even if it’s not a perfect take all the way through; there may be enough there for it to be the best one. So if something has a bit of magic to it but someone muffs a line or laughs; don’t necessarily bin it. That slightly less magical, yet perfect, take may be trimmed to a half a second. I was actually guided by those laughs, and pretty much every scene in the rough edit was one that had me or someone else laughing at the end. Normally very unprofessional and annoying, but in this case it marked it out as having a viscerally funny quality, if we didn't find it funny at the time, chance are the audience won't, and vice-verse. Something it gets hard to appreciate once you’ve seen something 100 times.

Get it down to the size you want, and remember our old friend Kurt, you may feel it’s impossible to cut anything else out but you’ll soon find that you can trim scenes here and there, overlay dialogue, just plain old DELETE. This is where we are really glad we didn’t film way too much, and subsequently have to kiss goodbye to complicated scenes that just will not fit.

An important lesson going back to the writing, is the importance of conveying things using everything that isn’t dialogue. It’s a great skill to learn as a filmmaker, and one that probably develops later in normal film making. In short filmmaking it’s non-negotiable. Everything has to drive the narrative; because there just isn’t time to explain everything in words. Every look, prop, bit of music, sound effect is an opportunity to help you tell your story more effectively.

POWER

Sound is crucial, we had to redo the beach sounds, because of noisy wind and waves and there are probably some slightly dubious dubbing bits, but it’s really important that people can hear what the actors are saying. This is not a mumblecore film, [though I actually like those films] it’s a film equivalent of a street fight, and each blow has to land.

Music helps loads, it tells the story, covers any dodgy recorded-sound, and gives you another avenue for comedic expression. Sound effects are really important, you may have to redo footsteps so they’re not affected by the wind, find some sound clips of waves, or atmosphere. One of the funnest bits of the whole process was having all of us attempting to recreate the sound of a cat being kicked. We wanted to ensure no cats were harmed during the process… I think we used Geoff Marsh's cat sound in the end.

Finally when you’ve chopped it and smoothed it, send it to a friend or two, upload it privately to vimeo and send people links, take feedback. If you want to be in a creative industry you’re going to have to get used to criticism. Bear in mind that you may be blind to the film having watched it so many times, and maybe slightly hate it a bit too [don’t worry this feeling will pass]. Take people’s suggestions if they have them. Think about them, they are more like your audience than you are [Most people will only watch this once, and you could probably reenact it word for word]. You’re decision is final, just make sure you can justify these decisions, even if just in your own mind. You’re always unhappy with your last project because you are a better filmmaker for having made it! As The genius Stephen Wright says.

‘Experience is something you get just after you need it’.

6) Upload and spread the word

This is probably the bit I’m least good at, there has never been a better time to make amateur movies. There is a massive potential audience out there, hungry for good content. YouTube is like the 2nd largest search engine in the world. We’ve tried to spread the word through Twitter, and Facebook, forums and various other bits of internet, and hopefully lots of random people will have stumbled across the website and enjoyed what everyone has done. If you like the film please spread the word, but the important thing is that it was really fun to make. There are some other really cool entries too, making use of varied tools from animation, to mobile phone footage. The most important thing is that it’s fun to do, it’s great to make things, and a competition like this is a really good way to learn some lessons, make some mistakes and practice the art of telling good stories.

Mad props to the following people

THE CREW

Ben Harp - Charlie Hall Johnny Utah - Sam Wong Pappas - Thom Hoffman Tyler - Sam Woolf Bodhi - Geoff Marsh

And Nigel Alred

Special thanks to Charlie Hall who inspired me by doing this last year.

[youtube http://www.youtube.com/watch?v=qUbG9f1nQBY&w=560&h=315]

Hopefully you’ll feel you can have a go too, and if you need a second opinion or some help get in touch.

Thom - find me on my website thomhoffman.co.uk